keyan_bowes: (Photo by Drew White)
This year, instead of going through Chicago or Denver or Minneapolis to attend Wiscon in Madison WI, I flew a Delta red-eye via Detroit (DTW). It got me into Madison around 10.30 a.m, a pretty convenient time that allowed for a nap before the Guests of Honor readings at "Room of One's Own."

I hadn't expected much of Detroit airport, given the image of the city. But I was pleasantly surprised.

Dawn was breaking as we descended.The land below was so green and lush that, half-asleep, I mind-slipped into thinking we were landing somewhere in Southeast Asia.

approaching Detroit at dawn

 As we deplaned, the gate agent was waiting to provide directions. Walking toward my gate, I found neatly folded blankets and airline pillows scattered in the seating areas.

Express Tram Detroit airport

I was delighted by a shiny red train, inside the terminal. It looked like a life-size toy zooming back and forth overhead. The Express Tram is apparently enough of a thing to have its own wikipedia article.

Then I saw this dancing fountain.

dancing fountain - detroit airport

The air was filled with the chirping of birds. At first, I thought it was recorded bird-song to go with the faux trees decorating the concourse. But no - there was an actual flock of free-flying sparrows. They were tough to photograph, tiny against the immensity of the concourse, but I got this blurry shot of one poking his head out of a ceiling vent.

sparrow in ceiling vent

All in all, quite a charming airport.

On the return journey, however, there were no blankets and no sparrows. I hope it was only the time of the day - late in the afternoon - that accounted for the absence, and not administrators and exterminators.

 
keyan_bowes: (Photo by Drew White)
Tired, happy and in dire need of a Time-Turner...

pix 21 007I'd vaguely hoped to get to a 10.30 a.m. panel, but that didn't happen. Instead, after lunch I ended up dividing my time between a reading by some of my favorite authors (Madeleine Robins, Nisi Shawl, Pat Murphy, Annalee Newitz, and Karen Joy Fowler) who called themselves "A Confederacy of Troublemakers" and a panel about the "Attack of the Fake Geek Girls."

The reading was - as you might expect - superb. The room was crowded, and though I was only minutes late, there were no chairs left. Madeleine Robins has a new book out, "Sold for Endless Rue", as does Karen Joy Fowler, "We Are All Completely Beside Ourselves." Nisi Shawl has recently edited a collection of stories, "Bloodchildren", and Annalee Newitz has a non-fiction book called "Scatter, Adapt and Remember: How Humans Will Survive Mass Extinction."

The Fake Geek Girl panel discussed the question of being geek and female - or even more, being black and geek and female. The gaming community in particular has developed a reputation for misogyny and putdowns of women, as though they can't actually be real gamers. One woman said she'd been playing Dungeons and Dragons since it first came out, and she didn't want her credentials questioned. She didn't want to be the black gamer, or the female gamer, she just want to be - a gamer who might be black or female, but why was it relevant? I came in at the end of the discussion, but I'm glad I made it especially because of the comments from the audience.

Then I went to a panel on Class in SF and Fantasy (Ian Hagemann, Alisa Alering, Eileen Gunn, Madeleine Robins). This is something I haven't really heard discussed much, not nearly as much as race and gender. Eileen Gunn suggested that sci-fi has working class origins; someone else said that they probably was true of earlier science fiction, but in this generation it's more middle-class. I have to say most sci-fi comes across as "middle-class" to me. There was discussion of "middle-class" as the unmarked state - people who are middle class are unaware of class issues, while working class people are clear about the distinctions. The talk turned to class markers - accents, whether the kitchen trash is under the sink or elsewhere in the kitchen, clothing, Myspace vs Facebook, and then circled back to accents. Markers are socially defined, and if you're writing of a future society, the actual markers are not so important - what's important is how other characters react to them.

In the next slot, I again divided my time between two panels: "Steal Like an Artist" and one on self-publishing.

Steal Like an Artist discussed the ethical and artistic boundaries between "stealing" and creating something using and based on others' work. It also touched lightly on cultural appropriation.

I went late to the Self-publishing/ Traditional publishing panel, again just in time to catch some of the audience questions and the panelists' summation. They differed on the value of Kindle Direct, Twitter, Pinterest, and various other specific platforms; but they all agreed that authors should expect to do a lot of heavy lifting in promoting themselves (even if they have a traditional publisher). They should have websites; and possibly their books also should have websites. Everyone agreed social media are important, even if they didn't agree on which specific ones.

I joined a group of 10 Wisconians (Wisconites? Wisconners?) for dinner at the Fountain, opposite the hotel, with Tempest leading the charge. Some of them I'd met before, others I hadn't. They were all interesting and a pleasure to hang out with. I had to rush off, unfortunately, so as not to miss the Big Event.

ellen klages auctioncake drowning girlThe big event of the day was the Tiptree auction, with Ellen Klages as the auctioneer. It's always an amazing performance by Ellen channeling her interior comedian. She did sell the t-shirt off her back (BAD GIRLS READ).

This year, a kid in the audience kept piping up... maybe Ellen has an apprentice! The most interesting item to me was a hip flask with a Space Babe design. (The picture is up at the top, standing in for a Time-Turner.) The bidding quickly went far beyond my budget. There were also two cakes representing books by the Tiptree award winners, which were bought by the house as a whole (and enthusiastically consumed in the ConSuite later).cake ancient ancient

Afterward, I drifted through some parties, said Hi to a lot of people, sat and chatted with Kater for a while, and met Nisi Shawl's mother - a charming lady who's been to 3 Wiscons. I also met someone for whom this was her first Con ever. She's a writer, a mom, and very socially aware - she was loving Wiscon's openness and diversity. And everyone was so friendly...

I reluctantly gave up hanging out at the parties and ConSuite when I realized my energy levels were tending to zero. In my room now, writing this post.
keyan_bowes: (Photo by Drew White)
silver pin by Barb MoermondI got up late, went lunch-hunting and after wandering around State St for a while, came back and ate at the hotel. Then on to The Gathering. This event is one of the things I love about Wiscon, and a lovely place to hang out and talk. I met Delia Sherman, who was surrounded by students from various Clarions she'd taught at, and she talked a bit about her new projects (which sound great!) Also met quite a few other people, waved at Kater who was busy giving Tarot readings, dropped off clothes for the Clothing Exchange, picked up too many books at the Galley Ho table, and bought a lovely little silver pin at the Auction preview table. (It's by Barb Moermond, who will also have things in the Art Show.) Then I swung by the Dealer Room, just to get a little taste of what they have there. It's neat - books and jewelry and wooden jigsaw puzzles... I will spend more time (and I guess, money!) there tomorrow.

The first panel I attended was "Stop Killing All the Minority Characters!" (Na'amun Tilahun, Lisa Bradley, Lauren K. Moody, Nisi Shawl) It was held in a relatively small room - and we soon ran out of chairs, standing room, and aisle space. The problem is that minority characters are too often killed off - either dying heroically as "redshirts" or tragically to traumatize the main character. The discussion focused a lot on TV, which I don't watch; but the same problems exist in movies and in books. We debated whether it was because the minority characters are usually also secondary characters, not the protags; or whether it was because they are sometimes inherently tragic figures. We also discussed characters with disability, and how they're often miraculously cured before the action starts, as though they can't be useful without such a cure. People also mentioned some series that do it well; again, it was mostly TV and I hope someone got good notes! What I recall is one panelist saying that Seanan McGuire's books get better and better in this regard. The early books are a little problematic, but the later ones are awesome. Great panel, and I think I learned a lot.

After that, I went for the People of Color dinner, which was great company, as always. Then on to the Opening Ceremony, where I hung out with Julie Andrews. Later, I swung by the parties but gave up because they were so well-attended I couldn't hear anyone speak - it was just too loud. Happy loud, but loud.

I went for the "I'm not Your Metaphor" panel (Ian Hagemann, Jesse the K, Josh Lukin, Kate Nepveu) - about whether or not it's okay to use other oppressed groups as metaphors. The one we see most today is about Gay Marriage and whether it's analogous to "miscegenation." Compared with the passion of the "Stop Killing..." panel, this was very intellectual. We discussed why such metaphors are used, and why some people might consider them appropriation. I'm not sure we reached a conclusion exactly, except that it might well make sense to use such metaphors to convey an unfamiliar concept to mainstream audiences. It does get the message across.

Met Kater Cheek's daughter, who was looking for other teens - but the Teen Programming room was closed and nothing seemed to be happening there. She decided to go elsewhere. Kater stopped by later, but we gave up on hanging out at a party because of the noise. I did get to talk to Eileen Gunn, who's working on a novel about Mark Twain, and to Catherine Schaff-Stump, who's recently written a short story about him...

I hadn't planned to go to any more panels, but Julie Andrews and I landed up at "The Female Soldier in SF and Fantasy." It was really good. Since it started at midnight, it was not overcrowded, and there was more audience involvement. We talked about soldiers vs warriors, about female soldiers in fantasy (not much) and in science fiction (a lot more), about a fully integrated army, which was a sci-fi concept. We considered differences - strength, sexuality, and contraception - as issues for female soldiers. Various books were mentioned; I lost track because I wasn't taking notes.

I went back to the ConSuite for a while, then called it a day.

(I don't have pics because Wiscon's policy is to always ask permission - good policy, but I end up not taking pictures.)
keyan_bowes: (Photo by Drew White)
I'm back at Wiscon! This is Wiscon 37, and kudos to the team that's delivered it all these years. It's only after my involvement with FOGcon that I'm beginning to comprehend the huge amount of work that a Con entails.

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The traditional kick-off is a reading by the Guests of Honor, hosted by "A Room of One's Own." Though I'd been there before (twice) I thought to check that I remembered the route. Just as well, because it's moved, a block down. The new premises are lovely, with a traditional frontage and interior arches.

A room of one's own Bookstore

I went in to find quite a few people already gathered. The reading space felt smaller than the backroom they used to have, and most of the chairs were taken. Still, I found a place to sit, then left my coat there while I mingled. I found Laurie Tobie Edison at the snack table, and she described her new "Discworld" sculpture: the turtle and elephants and the Discworld (which is a boulder opal). Also a silver Fantasy map she's working on. It all sounds quite magical. She may have some photographs. I'm also looking forward to seeing her other work; she listed them on her LiveJournal and they sound gorgeous (she didn't have pictures of those).

Also said Hi to quite a few other people. It had this lovely "First day of school after summer" feel to it.

GUEST OF HONOR READINGS

Piglet introduced Jo Walton with a humorous verse. Jo's reading, from her current novel, was hilarious. Apollo's confused because Daphne becomes a tree rather than mate with him, so he asks his sister Artemis to explain. She directs him to Athene, who says something about "volition" and gets him involved in her own project: Recreating Plato's Republic before it was even written. [Here's a link to her blog, Bluejo's Journal]

jo walton reading at a room of ones own bookstore in madison

Joan Slonczewski reading at A Room of One's Own BookstoreJesse the K introduced Joan Slonczewski, and even though she had apparently rehearsed it, she stumbled over the name. Joan took it in her stride. "My students call me Dr Zeus," she said, and explained the background of her science as well as her fiction: Western diets have disrupted our bacterial ecosystems, which must be corrected with inputs from the uncorrupted intestinal flora of people in places like Africa. Someone near me mentioned fecal transplants, which are ingested. Then she read an excerpt in which the heroine, who has been attacked for hosting sentient bacteria, is moving to a new house - which is also sentient, and is decorating itself. [Joan's blog, Ultraphyte, is linked here.]

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After the readings, I made contact with Kater Cheek (and daughter) and J (who has a book out: The Flaming Geeks Book of Geeky Trivia) and picked up my Program Guide. I started marking off all the things I wanted to attend. As usual, there were between 2 and 4 "Can't miss" events in each time-slot. You may see me darting in and out of rooms a lot.

[Replicated from my new Wordpress site+blog.]
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Day Two. I attended three panels, three parties, and the Tiptree Auction.  I have to say: The panels this year, at least the ones I got to, were extraordinarily good. Vibrant, well-moderated, funny, and well-attended by an engaged audience.

[Edited to Add: Here's a link to my Day One post.
And here's one to my Day Three post
.]

The Tiptree auction is something I try never to miss; Ellen Klages, the auctioneer, is simply awesome. This year, she literally auctioned the shirt off her back: a t-shirt that said "Brontosaurus is still a planet," then stood around in a black long bra tucked into her jeans, looking rather elegant. "I could be embarrassed," she said, looking not embarrassed at all, "If I could, it would be around now." And she proceeded to auction the next two items before slipping on another t-shirt, this one saying "I'm not short, I'm fun size."

Yes.



She quite outdid the Space Babe, the mascot of the Tiptree Awards.

So, to the panels.

MAGIC SYSTEMS

Having stayed up way too late - I always seem to forget I need a couple of hours to unwind *after* the parties - I made it down just in time to attend a panel on devising magic systems at 10 a.m. It was packed, and it was excellent.This panel turned into a far-ranging discussion of magic systems and their impact on technology; on social systems; and on economies. Some of the points:
  • Magic as an eco-system. Damming a river to get water can give rise to silt build-ups and have far-reaching effects elsewhere in the eco-system. What if we considered magic in the same way?
  • Common magic vs Deep magic. Simple magic with limited effects may or may not have a cost; but magic that could be world-changing *must* have an associated cost.
  • Magic as a craft. One possible cost is the effort of acquiring the skill, and the opportunity cost as well - what are the kids at Hogwarts *not* learning while they spend so much time learning magic?
  • Magic as a sacrifice. The cost may literally require a sacrifice. E.g. karmic sacrifices, where the devil keeps a tally and you sully your soul each time you use magic. Or Paolini's concept of magic tapping into the web of life-force, so for instance casting a spell kills a mouse - or worse.
  • Magic and class. Who has the magic? Are they the rich and powerful? Would they share that, or keep control of it?
  • Magic and technology. Would magic delay the introduction of technology? If you have mage-light, do you need an electric lamp? Or would it allow for leap-frogging technologies, like using "farsight" to study stars or microscopic creatures instead of telescopes or microscopes.
Kater, who moderated, pointed out anything like magic would be used for making money - and for porn. (That last comment cracked everyone up.)

[ETA:  Here's a link to Catherine Schaff Stump's report on the panel.]

ASIAN ANCESTRESSES

The Asian Ancestresses panel was fun. The panelists were mostly second gen Asians; though the panel proposer, Jaymie Goh actually grew up in Malaysia as Malaysian Chinese, and now lives in Canada. Annie Chen is Chinese-American; Saira Ali Pakistani-American/Latina; Angeli Primlani is Indian-American; Emily Jiang's parents came from Taiwan and Mainland China. They all talked about *how* they accessed the stories that belonged to their cultures. It was generally mediated through English, because most of them did not read their parents' languages well. For many of them, they were stories they came to as young adults, rather than the actual stories they were told as children.

(Though I grew up in India, that was my experience too. The stories my parents told me weren't folk-tales or myths; they were made up and contemporary. In the Indian tradition, it's the grandmothers who tell the old stories, and my grandparents did not live near us. So the epics of the Ramayana and the Mahabharat, and the stories from the Panchatantra and folk-tales from various parts of India - I read those in English, in translations and re-tellings. They did make an impression; there was a book of Bengali stories given me by a favorite aunt and of course lost as childhood books often are. I recently re-found a copy on Amazon.)

The only bad thing was the panel ran out of time before it could be turned over to the audience. Still, hearing interesting re-told tales was worth it: Hang Lipo, the possibly mythic Chinese princess who married the Sultan of Malacca; the princess and rabbit on the moon; the story of Noor Jehan; the princess of Mt Ledang.

CROWD FUNDING AND SELF PUBLISHING

The next panel I went to was on crowd-funding and self-publishing. Cecilia Tan of Circlet Press talked about how she maintains a web presence and promotes her books. She has a long-running serial she offers free on her website; from time to time, she gathers a chunk of it into an e-book. She also spoke about Kickstarter, (a site that allows people to try to crowd-fund creative endeavors). Amanda Palmer (the musician who is married to Neil Gaiman) had a huge success when she tried to raise $100,000 and ended up raising $1 mn.  Cecilia had success raising her targeted $2,750; but she pointed out that it needs constant promotion or people won't know (or remember) to make payments. It works best if you already have a platform: a well-frequented blog or website, a successful Twitter feed, a popular Facebook page. Some points:
  • Effort is not enough. You need a plan that feeds your efforts into marketing either you as a person, or your project or both. Otherwise, you may use a lot of effort, but not actually build a buying audience.
  • Know your audience. Octavia Butler said that her books had three audiences that didn't necessarily overlap: African-Americans, feminists, and spec-fic readers. Each needed to be marketed to separately.
  • Leverage the internet. If you can find the right thing to say, you can get an audience of hundreds of thousands of people.
  • Be creative. People on the internet are always looking for new things, so repeating old promotional methods won't necessarily work.
  • Engage with your audience. This is part of building a platform.
  • Offer prizes. Authors offer prizes for clicking on links, for comments on blog posts, for reviews on Amazon or Goodreads, and certainly for contributions on Kickstarter.
  • Make loss leaders (stories or books) free on Amazon by making them free on Smashwords first.
  • For paper copies of books, Createspace is the least-cost alternative now, and for a small extra fee will get you broader distribution via Bowker.
So that was it. I put up a couple of plugs for the Clarion Writeathon, and tried to bribe Ellen Klages to mention it at the auction. Unsuccessfully. She's incorruptible. But... in case you're reading here and hadn't heard:


(Oops, didn't mean to shout. And there isn't yet a button to click on to sign up. But it's coming... be prepared!)





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I went to one last panel, about incorporating people with disabilities into stories, and how to do it right even if you the author do not have that disability. Thanks both to writers and to people with with disabilities, this was one of the best panels I've been to at this Wiscon. Some of the points made: 

1. Some of the effects of the disability are not just the physical problem itself, but the accomodations required. People with epilepsy, for instance, may be unable to drive cars owing to the meds they need.  
2. Don't use disability to signify evil.
3. If the story ends with the disability being miraculously removed, figure why the story needs this.
4. Do not compensate for a disability (in sci-fi) with a fix that results in a person immediately being made whole or  *even more able* than before. That's not disability. (E.g. the hand of Luke Skywalker.)
5. However, you can use special abilities developed by people with disability as a plot point: e.g. deaf people  and phone phreaking. [Correction: Blind people, not deaf people]
6. Do the research - internet has stories directly from people with disabilities.
7. You can't please everyone.

I stopped briefly at the Checkout... but I had no more space for books in my luggage. I didn't stay long so I wouldn't be tempted to loop back to the Dealer's room. I had to pack, anyway. Kater and I grabbed some lunch, then joined Julie on the shuttle to the airport.

That was it for Wiscon 34 for us.
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Wiscon's nearly at an end. I reluctantly tore myself away from the buzz of activity still going on on the 6th floor; the spirit is willing but the flesh is thinking longingly of bed. I'll try to make it to a panel tomorrow, and then it's the shuttle and the airport and farewell.

In the morning, I went to a panel about paranormal romance, which was to discuss the tropes of this genre, including such issues as reduced choice through "soul bonds" or other mechanisms that forced two people together, as well as the power imbalances between male and female. One panelist pointed out that tension and suffering was essential to a novel; so if there were no challenges to the romance, there would be no story. She perceived it as a mechanism for locking the heroine and the hero in a box; then the story is about reaching accomodation. Another suggested that an alpha male was an important trope, and the supernatural hero (werewolf, vampire etc) provided guilt-free alpha-fare, while the same behavior in a contemporary romance would have been abusive or dangerous. And the point of the alpha male was, very often, to tame them. "He's got to grovel by the end of the book," said one panelist. From a marketing standpoint, the tropes were all about what the audience demand.

After that, had lunch at the Noodles place with Julie and Kater, and were joined later by Karen Joy Fowler and Terry Bisson.

The afternoon panel I attended was an interesting discussion on writing in English for the US market, even when the stories are set in other places like New Zaealand or Nigeria. We discussed the trade-off between accessibility and not "Americanizing" writing. Then I went to a "Writing the Other" panel, where people discussed the ones where the writer of the story or play or TV series that didn't fail, the ones that are Doing It Right.

After that, a hilarious reading featuring Eileen Gunn, Pat Murphy, Carol Emswhiller, and Terry Bisson. (I came late and missed one by Karen Joy Fowler.)

For dinner, Julie, Kater, Karen (the new friend, not KJF) went out for dinner with [livejournal.com profile] yhlee ; I 've admired her writing since our Critters days, about ten years ago. This was the first time we'd actually met.

Then it was on to the dessert salon with Julie, who kindly stood in line and saved me a spot (my turn next year!). The Guest of Honor speeches from Nnedi Okorafor and from Mary Anne Mohanraj  were moving and inspiring. Then the next year's GOHs were announced: Nisi Shawl and Elizabeth Moon.

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It's the end of the day, and I'm procrastinating. I *should* be preparing for my reading tomorrow - the one I talked about earlier with Kater, Catherine and Caroline. Instead, I'm posting this.

My morning began latish, with [livejournal.com profile] redcrowkater  messaging me to ask if wanted to join her and [livejournal.com profile] julieandrews at a noodle shop for lunch. I did, and it was delicious. Then we each wandered off in a different direction. I put up some flyers for the forthcoming anthology from Panverse Publishing, Eight Against Reality; it will have one of my stories. Catherine Schaff-Stump put up flyers for our reading.

At the hotel I met Karen Joy Fowler and Ted Chiang waiting for the Dealer's Room to open, and was introduced to a group of their friends. I also met Richard Bowes, who was amused to find someone else with the same surname. It derives, apparently, not from the weapon but from cattle, with the same root as bovine... this led to a discussion of cattle and oxen, and how cows got no respect. I suggested that in the Hindu mythos, the situation was a little bit different.

Then it was on to the Gathering, which had a delightful lock-picking table, and tarot cards (with a long waiting line), sinful macaroons drizzled with chocolate, and of course the books table where I determinedly limited myself to three books. (This year, I only brought one book with me, so I did not feel as guilty as last year. But they still weigh an awful lot!)

Over at the dealer's room, I acquired some pretty silver jewelry. I went by [livejournal.com profile] laurieopal's table a few times, just gawking at the gorgeousness, but restrained myself this time. (I bought an eagle from her at World Fantasy.) I am grateful she does not do internet sales... some of her work would be irresistible sold online where decision-making is overly easy.

Somehow, I got invited to the Carl Brandon Society dinner. (Thanks, Tempest.) It was a delightful evening, and I met some interesting new people. Talked to some of them about the wondrousness of Clarion...  The only thing was that somehow this elegant restaurant managed to forget the dinner order of the guest next to me, and served it only when everyone else had nearly finished. I kept her company, which was lovely because she was really fun to talk to.

The opening ceremony was fun, and then there were parties. I spent the most time at the Fog Con party. Some of my friends are starting this new Con, in March in San Francisco, and this was its launch party. They gave out the coolest little aliens made of radio valves or something, as well as cups with little red lights, and fog-emitting sangria.

Got into a brainstorming session with Karen Joy Fowler and Pat Murphy on the subject of Clarion. Came back to the parties, dropped in on the Carl Brandon party, back to Fog Con, and called it a day.

I'm pissed off with LJ. It's not letting me upload any more pictures, not sure why. Perhaps I've bumped against my storage limit, but then it should say so. Wordpress has this platform licked hollow, except for the friending thing. Grr.

ETA: Deleted an old pic, and it allowed this one. Still don't know if it was a glitch or a storage limit.

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I arrived at Madison around 4 p.m. after (a) staying up all night (b) sleeping on the plane - both legs of the journey, even though the last was only 37 minutes long. While waiting for the shuttle, I bird-watched (inadequately, without binocs). The airport was *full* of birds. It seemed strange; it had nothing but a few bushes planted between the road and the parking structure. I couldn't be sure what they were - chickadees and/or sparrows, I think, hawking for flying insects; and swallows or swifts that may actually be nesting in the parking garage. Later, I realized that a fairly dense stand of trees stood on the other side, and maybe that's where the birds were coming in from.

It was nearly two hours before I got to my room; the shuttle took a while, and then had to pick up two other people. I didn't mind. The others, one another Wisconner, and one a Convance executive, were interesting company.

By the time I got in, I was rearing to go. I contacted [livejournal.com profile] julieandrews and she said the reception at A Room of One's Own bookstore had started. I joined her there (starving, since I'd only had a bag of trail mix all day), grabbed some snacks, and then went to the back for the GOH readings: Mary Anne Mohanraj and Nnedi Okaforor. The room was packed; Julie and I followed the example of some others and sat on the floor.

Unfortunately, Nnedi was caught in traffic and didn't make it in, but Mary Anne read a wonderful story from her book, Bodies in Motion. It was a simple description of an old woman cooking, but it conflated the sensuality of the cooking with the sensuousness of memories of the woman's lesbian relationships, and the sense of the passage of time.

(Mary Anne gave a blanket clearance to take photos, and I hope no one else in this picture minds, since it's all of their backs! The lighting onstage wasn't very good, unfortunately.)

Went back with Julie, registered, and then was asked by two other Wisconners if we wanted dinner. Absolutely! We all went to the Spanish tapas bar on State Street. Kim and Karen, our new friends, were fun and interesting; and [livejournal.com profile] redcrowkater joined us.

Great beginning to Wiscon for me, especially because I got a chance to catch up with Kater afterward.
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I'll be at Wiscon, reading with Kater Cheek (my Clarion buddy), Caroline Stevermer, and Catherine Schaff-Stump. We're all reading from our Middle-Grade novels, so it should be fast-paced and fun. Here's the flyer Catherine created for the reading. (Click on it for a clearer picture.)

Mine is from my current Novel-in-Revision, which has the working title of The Twelve Impossible Tasks. To rescue his little sister who's been kidnapped by supernaturals, Joel must perform the Twelve Labors of Hercules - in San Francisco.
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My friends are laughing at me.

It all started when I admitted, at dinner with an awesome Wiscon crowd, that I'm reluctant to mail in paper submissions. (That report is here.)

When I told my Clarion friends, they were even more amused. [livejournal.com profile] redcrowkater had gotten some nice picture postcards and was showing them to us. Mid-sentence, she paused, held one up for me, and turned it over. "See, you can stick a stamp here, and mail it. One less step. You don't even need to look for an envelope..." (Kater likes paper. She write in fountain pen, and it looks elegant.)

So, time to defend myself. A little bit, anyway.
My theory is that to some extent, submissions are a numbers game.

The recommended submission process is to start at the top (i.e. the magazines that pay the most) and work down as the story is rejected. After all, if you don't submit, how do you know that, say, Asimov's wouldn't have taken your story?

I don't do this.

Why I don't... ) 

With e-subs, it's relatively painless. I send them out. They come back. I review the thing, see if there's another magazine it would be good for. If yes, out it goes again, probably at midnight or later. No envelopes, no stamps, no trip to mailbox. And from time to time, what's in my in-box is ... they want my story.

Today, Big Pulp accepted my 1000-word story, The Scent Assassin.
And my Clarion classmate informed me yesterday that the short film he made, based on my story The Rumpelstiltskin Retellings, will be screened in San Francisco this weekend.




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The main event today at Wiscon was The Gathering, an indoor fair with a clothing swap, face-painting, tarot, palm-reading, some impressive-despite-the-noise shape-note singing, and a bookstore offering ARCs of books for a $1 donation (with a ten-book limit). I was trying to stay at the other end of the room from that one, but was pulled into its gravitational perimeter and ended up with three books. I had rather idiotically brought books from home to read... and I haven't even been to the dealer's room yet. My suitcase is going to look like the Library Thief's Last Moments.

I met more people I knew - some in person, some online. Among them were people from my Second Draft writing group, people from my online Codex writing group, and Clarion 08 people (with some overlap in these categories). My other Clarionmate [livejournal.com profile] redcrowkater  also came in, so she,  [livejournal.com profile] julieandrews , and I hung out. Kater knew a really great tapas restaurant. Thoroughly enjoyable.

I'd like to post  a Wiscon photograph, but will first want to clear it with everyone in it. It's a Wiscon policy, and I'm impressed.

ETA: Okay, I have clearance from everyone except Geoff Ryman. (Geoff, if you object, I'll delete this).

Towering over everyone: Geoff Ryman       .

Above: Kathleen, Keffy and Eugene (all Clarion 2008);
Kater, Keyan & Julie (Clarion 2007)


As I feared, there were too many choices to do everything I would have liked. I attended a panel on Cultural Appropriation 101, and then another called Tyrannosaurs in F16s!  Also part of a fascinating music/ reading session, but something in the airconditioning made me sneeze and I had to leave. I ended up at the LiveJournal party, where someone from Clarion West 08 was amused by my Clarion 2007 Roman-must-die vest.




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March 2016

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