keyan_bowes: (Photo by Drew White)

I read Little Brother soon after it came out. I’d heard Cory read from it during Clarion before it was published, and found it both exhilarating and shocking. It was still the Bush era, and my first reaction was, Have you talked to your lawyer?

cover-homeland by cory doctorowWell, the book came out and it was a hit. Homeland is the sequel, and somehow I just got around to reading it. I don’t know why I waited. I loved it.

The premise is that though the President has changed, the government hasn’t really – surveillance continues just as it had before. I guess it’s always more difficult to dial back powers once any organization has them…

So M1k3y is back under his real name, Marcus, and he’s fighting again. When an old friend hands him a dangerous USB that will allow him to access over 800,000 damaging documents about government and corporate wrong-doing, he’s got to decide how to handle it. The ethical and practical dilemmas that result drive the story.

The book opens at Burning Man, and that grabbed my attention. I’ve always wanted to go to Burning Man, but given the logistics and conditions on the playa, it’s increasingly unlikely that I ever will. This took me there with clarity and atmosphere.

The book seemed to introduce a cool new tech every chapter, in a way quite accessible to non-techies. It took every new technology or idea  I’ve found intriguing – from 3-D printing to quadricopters to People’s mic – and wove them into the plot.

Though this isn’t really a character-driven novel, I felt I’d got to know Marcus and the others well enough to be involved with them. And I found the plot gripping, leaving me wondering what I’d do in his place.

The book is intensely political, in the same way as 1984 is political. If you think Edward Snowden is a hero, you’ll probably enjoy it. If you think he’s a thief and a scumbag, the political values will probably make it unreadable.

keyan_bowes: (Photo by Drew White)
we are all completely beside ourselves - Karen Joy FowlerWhen I finished reading this book, I felt I had to share something, somewhere. I wasn't ready to write a review yet. I was still too rapt. So I went to Facebook, and posted:

Just finished reading Karen Joy Fowlers "We are all completely beside ourselves." Coming up for air now. It's a masterpiece. The voice is comic, sprightly, delightful. The story is dark and layered... so much so that midway, I thought it might be too much for me to deal with. I'm glad I continued.

I lucked out on the way I came to this book.

WHY KINDLE IS BETTER

At Wiscon, where Karen read from it, I'd hoped to get her to sign it for me. I didn't know anything about it then, but Karen was one of my Clarion instructors and I love her writing. But the book wasn't actually coming out until two days after Wiscon. Nor could I attend any of her Bay Area signings, where I'd undoubtedly have bought it.

I'd wait, I thought. This is San Francisco, she lives not too far from this city, and would undoubtedly be here for a reading some time. But before that happened, my author friend Kater Cheek wrote a review that made me feel I couldn't put it off any longer.

"I sometimes feel guilty," Kater wrote, "about all my average “liked it” star ratings in a world of grade inflation, and have thought about re-scaling all my books so that they all have 4 or 5 stars. But then a book comes along like this, where it really was amazing, and I’m glad that I so rarely give out 5 stars, because then people can understand that 5 stars means that this book is really something special, and not merely good."

The rest of her review was general - as this piece will be, and for the same reason. There's a surprise that hits you well into the book that makes everything you've read thus far fall into place. If you know what that surprise is (and I think many people do by now), it's still a superb book, but it loses - that.

So anyway, after reading Kater's review, the Kindle edition of the book was only a couple of clicks away.

And that's where I got lucky. The paper version of the book actually has the surprise on its dust jacket. (I still haven't bought the paper version, though I intend to do so the next time Karen can sign it.) In fact, it's even in the description on Amazon, which thankfully I did not read. So when I started in, the revelation burst upon me as the author intended, with just the right mixture of shock and comprehension and satisfaction of curiosity and revising of mental images.

And that's why this isn't really a review of the book, but more of a reaction to it.

WHAT I LOVED

I would have read the book for the voice alone. The protagonist, Rosemary, is a college student when we first encounter her. She's just been arrested for getting involved in a cafeteria incident where the girl at the next table is breaking up with her boyfriend by breaking things. Her descriptions are smart and witty, the turns of phrase utterly wonderful.

But it gets even better. It's not just the voice, it's about reality. And perhaps the motto of this book should be 'Nothing is as it seems.' There's a deeper meaning to everything, and even that keeps changing. The plot twists like a snake in a maze.

And it gets worse, especially if you take families, love, and animals seriously (and all these matter to me). Difficult political themes emerge, confronting us with the whole issue of the homo sapiens and its relation to other animals - including power, love and cruelty and confronting Rosemary with a confusing set of choices. The story inexorably darkens. As I wrote in my immediate reaction, at one point it was getting so depressing - despite the witty tone - I thought I might stop reading. But I didn't.

And it gets better again, pulling all the disparate strands into a bitter-sweet ending that was a lot more satisfying than the fashionable grimdark things where life slides into an inevitable decline and a book's beginning is the best part of it.

The technical virtuosity is breathtaking, leaving me-the-writer undecided whether I should tip my hat and bow profoundly, or dig a deep hole and pull the turf over me in despair. Also - she makes it looks easy.

It's brilliant.
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Ever since I went to Clarion, I've been meeting authors. It's a different world, on the other side of the Clarion Portal. (And I've even been lucky to be there in the nascent stages - I've now read and critiqued several first novels that went on to be published.) But this was different. This time, I met the author first, and then read her book.

I've met Pat Murphy - who's immensely interesting and likable -  a few times, through Karen Joy Fowler. So the last time, I decided to ask her which of her books she'd recommend as a starter. She asked me a few questions to establish my tastes. "Adventures in Time and Space with Max Merriwell," she said. Since we were at Borderlands, I had hopes they'd have it somewhere.
 There and Back Again book by Pat Murphy
"It's awesome," said one of the people at the counter. "My own copy is almost falling apart."  But they didn't have it. So instead, I bought "There and Back Again by Max Merriwell."

It turned out to be a fun, many-layered book in which norbit Bailey Beldon leaves his comfortable meteoroid home to go on an adventure with a sib of cloned women. It's The Hobbit reimagined as a space opera, with Lewis Carroll's Hunting of the Snark as a theme, and the whole peppered with wonderful imaginative concepts - like people plunging down wormholes to emerge as mirror images of their former selves, able to draw nourishment only from food of the same chirality. Or a family-friendly feminist version of Islam adopted by the Farr clan of clones, while the people of the planet Ophir became worshippers of the Hindu God Ganesh, Remover of Obstacles, and people Indigo evolved a cargo cult.

At the end of the book, there's a further convolution; Max Merriwell is a pseudonym of Pat Murphy's but has his own pseudonyms, Mary Maxwell and Weldon Merrimax.

I loved it. The only problem I had with it was my own - I kept mapping Bailey's adventures onto those of Bilbo Baggins, and thinking what fun it must have been to write this book, which of course pulled me out of it while the adventure kept sucking me back in.

 I think I'm going to re-read it.
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It's happened again! A novel I had the pleasure of beta-reading is in Print! I'm part of a terrific writing group, Written in Blood. Two members now have books out there. Janice Hardy's book, Shifter, came out in October 2009.



And now, it's Aliette de Bodard's Aztec murder-mystery fantasy, Servant of the Underworld. It's been published by Angry Robot, an imprint of Harper Collins, in the UK. A US edition is planned, but meanwhile, copies imported from the UK are already available on Amazon.

Here's the blurb from Amazon. "Year One-Knife, Tenochtitlan the capital of the Aztecs. The end of the world is kept at bay only by the magic of human sacrifice. A Priestess disappears from an empty room drenched in blood. Acatl, High Priest, must find her, or break the boundaries between the worlds of the living and the dead. Aliette De Bodard is the hottest rising star in world SF and Fantasy, blending ancient crimes with wild imagination. This is her debut novel."

[Edited to add book trailer, review, and map]

And here's the very cool book trailer (from Youtube). Watch it, it's only one minute long, and it's awesome.

The book's amazing, a compelling read.  It's the first of a trilogy, but it stands alone very nicely. Here's a link to a great review by Dave Brendon.

If the setting and history intrigues you, Aliette has provided a series of great background articles (with pictures and maps) on her blog. (Start here.)
 





 

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